North Rockies Design

Creative Direction in Graphic Design, Web Design, and Instructional Design

Advertisement

Archive for the ‘ Work Stuff ’ Category

New Stuff is Sketchy

By on March 17, 2011

Google SketchUp is awesome!

I’ve been using Google SketchUp version 7 Pro, and it’s just plain awesome! I use it for architectural rendering, fabrication and engineering planning, landscaping, hobbies, and even to build virtual studio sets for use in green screen video production. While I use the Pro version, the Free version is quite powerful.

Let me show you how I started and finished a 3D copy of my Hummer replica build in SketchUp.

Since I already have the plans for the TremorMUV Hummer replica, a real 1984 Suburban in my garage…or what’s left of it. I’ll follow along with SketchUp.

Start with this 1986 Suburban from the Google 3D Warehouse:

3D Model of 1986 Chevy Suburban

Remove the Body… like I already did to my 1984 Suburban:

Remove the Suburban body from the frame

Now in this case, I removed the engine already, and traded up from the model’s existing chassis to one I built from the dimensions of the one in my garage.

For fun, I added an engine, transmission and transfer case, and swapped the wheels. These wheels are 40 inch INTERCO Super Swampers I found in the 3D Warehouse here. The 454 Chevy engine was also from the 3D warehouse.

3D model Suburban chassis with 454 engine

Then from a clear file, and using the aforementioned plans, I build the cage or body skeleton of the Tremor MUV, accurate to dimensions given, so I could test it out in pixels before I start cutting steel.
3D model Tremor MUV cage build

And incase anyone asks, no I’m not sharing this file, because of the license agreement I’m in with Rocky Mountain Coachworks. Anyway, legal stuff out of the way, back to sketching. Next, I put the cage on the chassis model.
3D Model Tremor MUV on Suburban frame

Looks great! But of course, it’s not finished there. I need body panels, doors, a hood, and all that stuff. I found the taillights, seats, and doors from a Jeep Wrangler model (since I’ll be using the real parts for my real build.). I modeled the body panels, doors (with movable glass), hood (because all others I found were incorrect), bumpers, bumper step, front pushbar, and winch housing. The winch and hood lights were from another model, but I regret I don’t have the reference for it. But, here’s the steering wheel I found for now. I may change it later. That’s one beautiful thing about SketchUp. It’s easy to change a component at any time. You can literally destroy your model and start over without going over budget in the garage.
3D Model Tremor MUV with doors, seats, rollcage, hood, and tailgate

But, the beauty of SketchUp is that you can “fabricate” anything you want, to try it on for size, style, etc. Here’s a shot with a removable top, to turn the open top Hummer replica into a Hummer wagon replica.
3D Model Tremor MUV with wagon top.

For anyone who has been following my build, I’ve posted some screenshots of hypothetical look influenced by the new Batmobile, the Tumbler from the newer Batman movies.
Tremor MUV with Batmobile Tumber influence

The Tumbler model comes courtesy of the Google 3D warehouse, linked here.

What else can one do with SketchUp? Nearly anything 3D! I’ve used it for modeling before metal fabrication, small home projects, and in projects for real estate developers. Maybe I could even do something for you…(hint, hint, nudge, nudge).

Thanks for your time!

Shop Rules

By on June 17, 2010

I’ve been working on these shop rules for a while now. In fact, I posted them on my wall back in 2006, but haven’t done anything to share them. The headlines are part of a speech by Megan Perkins Parker, currently account supervisor at Edelman, given at Communication Day at BYU Idaho on September 28, 2006:

  1. Know what is going on… in the world, in the industry, in your company. If you know, you can compete. This is one of the reasons for social networks. Subscribe to blogs and get a twitter account. You may not have a lot to say to start out with, but you can join the discussion and there are always new articles to read.

    Knowing what’s going on is especially important within your company and with your clients. Remember the small and simple things. Turning a small key can open a large door. Pay attention to the little things that show clients they are important.

  2. Be credible. Do what you say you can do. Do not set the bar low, but be honest. At least under-promise and over-deliver (but be careful with this one). If you know what you can achieve, what is possible to deliver to the client, be honest. Whatever you do, don’t over-promise and under-deliver.
  3. Be committed, be positive. Decide to commit to the job, that you will get the job done. It is up to you to make the grass greener. Don’t be a LIFO – Last In First Out.

    While working at the University of Idaho in Idaho Falls, I saw a need for developing a new method to deliver courses to asynchronous students. I could have whined at my supervisors, but instead I wrote a grant proposal. And guess what, it was approved! Now we’ve got everything I need to implement this new idea. What can you do?

  4. Plow to the fences. Effective farmers will plow even to the little corners of the fields. Trust me. I live in rural Idaho. Every day I drive into my office and pass fields with rotary irrigation pipes. The fields, however, are rectangular. The farmers of these fields still plow to the corners of these fields, and get out in the wee hours to move pipes for irrigating them. 90% of design is persistence to detail. I don’t know how many times I’ve taken over a project because someone else misspelled a few words or used the wrong logo.
  5. Think ahead and be proactive. The way to get ahead in any company is to keep the company looking good. Look for and do more than you know needs done. If you work for a firm, this helps with job security and promotions. If you work freelance, this helps with networking and self-promotion. Either way, it keeps you in business.
  6. You are NOT entitled to anything. There are no welfare departments in successful companies. You are out there to prove yourself. This is what you’ve decided to do as a career. It is your work, your art, your craft, your destiny. Work for it!
  7. You will make mistakes. One mistake repeated is not a mistake, but a bad habit. Don’t make the same mistakes again. Now, you may be thinking you don’t make mistakes. Do you really? Or do you not take the time to notice them? Maybe you’re just really that good that you don’t make mistakes. Have you improved in anything lately? No? That’s your mistake. You can always do better at something.
  8. Be responsive. Tell the client/superior/vendor/audience what’s going on! Constructive criticism is about making the work better. I’ve worked for clients and employers whose ideal situation was to leave everything up to me without expecting so much as a weekly checkin. Great for getting things done right? Wrong. If I hadn’t been proactive to keep them updated, I’d have missed changes internally that didn’t get communicated to me.

    There’s the parable of the jet that flies around Earth’s equator, but get’s off by one degree. By the time it completes the flight it’s off by 500 miles. Keep in contact so you can correct course often.

  9. Set your vision and achieve milestones. Set goals and communicate the milestones. This is the same as having a plan. How will you know what you want to achieve without a plan. Next, do YOUR OWN personal PR/Advertising. This one is probably the easiest but most overlooked. I’m as guilty as anyone else. Sometimes its hard to keep yourself out there in the public eye. Fortunately, we’ve got all the tools to make it easy. You don’t have to walk and knock doors to get in front of people. All you need is to devote a little bit of time.

Be Different

By on May 24, 2010

Don’t just stand out, stand tall, stand above and shine brighter than your competition.

We hear this kind of statement all the time, “Stand out from the crowd. Stand out, be different, be creative.” It can be heard from social circles to entertainment, even in marketing. Though, it is beneficial to be different, and memorable, not all instances of being different or memorable are good or necessarily better. There are many situations where standing out isn’t even safe! One could jump from a tall building to get to the bottom in a different way, but different doesn’t make it better.

What we should hear more often is “Stand taller. Show off your best qualities.” This is of course easier said than done. How does one market a widget, touting its merits and acclaiming its benefits in a way that doesn’t detract from the philosophy of the brand?

Why Design?

By on May 17, 2010

We’ve all heard the interview process of a small child: Why this? Why that? Why? Why? Why? But, what does asking “why” have to do with design? Simple: everything. Now that I have your attention, I’ll give the not-so-simple-yet-still-fairly-simple answer.

I recently watched a talk on ted.com from Simon Sinek. The premise of his message is that we all do whatever it is we do backwards. He defines the “golden circle” of leadership and communication wherein we typically know what we do. Some of us know how we do it, and very few know why we do it. The problem is that we should instead figure out why we do what we do, then develop how we can convey why that matters into what we do to accomplish our purposes.

This got me thinking. Do I know what I’m doing? Yes, easy, I design things. Great, I fit in with the rest of the world. Do I know how I do it? Yes, I think I do. I strive to perfectly meet the needs of my clients, be fair and honest about what works, what does not. I follow certain guidelines and procedures when coding, shooting, editing, etc. Great, I fit into the elite category of those that know how.

Why do I design?

That one caused me to ponder a bit more. I design for a paycheck. Ah, but as Simon pointed out, that’s a result. I design to accomplish some marketing purpose for a product, person or idea. Oh, don’t I just sound like the happy little cog now? Hmm, need more meaning to why I do it. Then I realized it. I’ve been drawing since I was four. I’ve been interested in design since I was young too. I wanted to design my own car when I was sixteen. I’ve wanted to create my own clothing line, home plans, T-shirts, swords, guns. You name it, I’ve probably wanted to design my own. I just like design. I like the process of coming up with something original, following plans, or just “freestyle” to see what I can come up with. I like taking the plan and putting it into action. Whether it’s building a website or a Hummer replica.

I like website design because of its power to reach a worldwide audience. I like graphic design because I like to give an abstract idea or message some tangible mode to accomplish a desired purpose. So, now that I’ve discovered why I design, what to do now?

Moving Forward

If you are like me, you can’t merely be satisfied with focusing on one aspect of design. I mean, there are dozens of completely different design fields: culinary design, interior design, graphic design, website design, UX design, industrial design, instructional design, engineering design. What if I like them all? What if I know how to do something of each area? How do I make a career of it? Or is it merely, I have a bunch of hobbies?

Thomas Edison said, “If we did all things we are capable of doing, we would literally astonish ourselves.” I’m reaching a point in my life where I have the realization that I can’t do all that I want to do, either for reasons of time or money involved. But, can I do all things I am capable of doing? Does the answer lie in the area of specializing in something?

This post just leaves more questions than it answers. I guess I’ll end here for the sake of leaving some self-induced confusion for another day.

What can I do for $50?

By on May 10, 2010

You know what you can do with $50–cover hosting costs, upgrade some hardware, get a much needed peripheral. Figuring out how to spend $50 is easy. In fact, you probably made more than $50 on your last project. The next client to come to you for the $50 project will barely cover your high speed Internet service.

Make the project one that it easily repeatable, modular, quick, and yet high quality. Make the project a showcase of your abilities. Then make sure you advertise it all over the place. Blog it up, put an ad on your website, maybe even mention it in your phone greeting: “Welcome to North Rockies Design, home of the $50 widget.”

Your monthly, weekly, even daily expenses are more than $50, so why would you consider investing the time to bring in a $50 pittance on a project?

There are a few short simple answers. First, the new client who picks you to do the $50 project will get firsthand experience working with you. They will see your professionalism, experience your billing and contracting policies. They will get to test the quality of your work for an easy $50.

Second, you get some exposure to some companies that might have otherwise overlooked your firm. You get to keep out the ones who still would rather have you work on projects for spec. Don’t ever work for spec. If you do it right, $50 projects can still be profitable, without sacrificing time that could be spent on other higher paying projects.

Third, $50 projects that are repeatable can easily multiply. This is good in any economy, but especially in one that is a little tough on small businesses. Perhaps the small $50 project fits better into the budgets of ten companies easier than a $500 project fits into the budget of one. Either way, you end up with $500.

Finally, you can use the $50 project as an upsell. Perhaps your brother owns a company that does hosting, or you’ve got a project that just about everyone needs. Upsell it with your $50 project.

Now for your homework:

    Sit down and figure out what you can do for $50, or $100, or even $10 following these rules:

  • Make it easily repeatable
  • Make it actually worth the $50, $100, or $10 you want people to pay
  • Make sure you advertise it

Doing New Stuff

By on May 4, 2010

So you’re starting a design career, and you’d like to know what to specialize in. Stop right there! That’s got to be the quickest way to guarantee your own defeat. I don’t know how many times I’ve been working with someone just starting out, and they say, “I only do book jackets,” or “don’t ask me to design websites.” To me it sounds like they’re saying, “I don’t ever want to learn, grow, be better, or make more money!”

My first “design” job while still in school was working for a company in St. Paul, MN, that published magazines full of home plans. I helped with layout work a little, but mostly, I just used the eraser tool in Photoshop 4–I know that dates me, but I’m OK with it–to clean up dust and smudges on hires black-and-white scans of plans, elevations, and artists renderings. There were times I thought I could fall asleep doing that! But I persevered and I’m now grateful for the attention to detail that first job taught me.

My next “design” job was in Denver, CO, working for a company that did websites and specialized in multimedia CD-Roms. It was while employed there that I got my first freelance job converting annual reports from print to web version for Barker Design, Inc. The combination of print, website, and multimedia design work really expanded my options later, and taught me some principles of design that could translate from one medium to another–and just as importantly, what could not!

Why try new stuff?

The first reason to try new stuff: you don’t know what you don’t know. Let’s pretend that I had stopped with that first job, doing image clean-up for the home plans company. I had a good skillset in print work, and an eye for detail. I could have worked in print forever for say magazines, newspapers, or doing brochures and flyers. Back in 1996, the Internet had just started picking up steam, blogging was a dream at best, and video on the web would have been mocked to scorn. I could have stayed in Printville forever…until the newspapers and magazines started going digital. I didn’t know I could have lost my job/career/skillset to obsolescence.

Too many people have an unwillingness to learn. In this industry–or any field for that matter–you’ve got to be willing to learn from everything. Have you ever had someone ask you, “How do I do [insert basic computer task],” and you could answer, and therefore teach, because you took the time previously to learn? Have you ever needed another’s opinion to help solidify something you already thought but were a little fuzzy on some detail or another? I think you’re already in the learning mode, else why would you be reading this?

I’ll draw from personal experience to illustrate the point. I was working for I.E. Productions as a multimedia designer back in the days of doing CD-Roms for sales presentations. Gary Stewart, partner and Creative Director, asked me if I’d ever done motion design for commercials before. I said no, but I can learn. I immediately installed the copy of After Effects 3.1 on my personal laptop and began playing with it in my off-hours. I worked on the graphics for my first commercial within a month, and within a year I helped work on a spot that received a Silver Rockie award, doing all the post in After Effects.

When to start thinking about specializing

Now that I’ve convinced you to stay away from specializing when you start out designing, you’re probably asking yourself, “Is there a good time to start specializing?” The short answer is yes. It has to be the right timing, and circumstances. In my experience, I have had times where I had to specialize for a while. But there are a few things to remember when choosing a specialty.

Start broad, like I’ve been telling you so far. This will help you more than you can imagine once you pick something to specialize in. You’ll have alternate perspectives to draw from. You’ll be able to talk the lingo of those with whom you’ll be dealing on other parts of the project. You might just have a better or faster process developed for something completely different that you can bring into your specialty. For example, my hobby of metalwork helped me when planning to design a moving entry gate for ranch property developer Monviso. I was able to draw from experience with tensile strength, combining diverse metals, and structural mass for the steel and aluminum gate.

I’m not suggesting that waiting to specialize should make you a “Jack/Jill-of-all-trades, master-of-none.” Nothing could be further from the truth. It would be a terrible waste of your time and energies if, in your attempt to build a broad base, you become fodder for the handicapper general a la Harrison Bergeron. No, get a good base. Then build on it. Learn from others’ mistakes. Build on successes. Become a “Jack/Jill-of-all-trades, master of at least one!”

Keep your options open

Yes, I just suggested you master at least one trade. If you’ve some sense about yourself, you’ll find something relating to your first specialty, or in line with the process of your craft. Look, if I were designing cars for a living, I’d want to learn a little more about engines, drivetrains, etc. Then I’d be more prepared to not only design cool cars that could actually be built, but I’d know how to minimize costs and maximize performance. Job security.

Never settle into the “I only do” rut. How much more majestic is a mountain range, than a sole peak. When you do specialize, make sure you’ve got solid footing in other areas that you may build a mountain range of abilities. Look at Leonardo Da Vinci. He did it all from painting, to sculpture, to engineering. Be like him! There’s a quote I like from The Last Samurai. Tom Cruise’s character, Nathan Algren, is observing the Samurai people he is living with and makes the comment: “From the moment they awake, they devote themselves to the perfection of whatever they pursue.” He’s talking about the way they discipline themselves in not just their training, but also cooking and gardening.

Finally, once you’ve decided on a specialty, realize that you’ll probably change your specialty before you retire. It has been said that our generation will have at least five different careers–not jobs or employers–before we retire. With the amount of effort it takes to start a new career, you’ll be much better prepared if you start with a broad base, specialize in one or two things, and when necessary, jump from one to the other as a career. You won’t want to reach that point and have to start all over in something completely different.